YOUTH JOURNALISM FELLOWSHIP

ARE YOU A YOUNG WRITER READY TO CHALLENGE THE NARRATIVE? 

The Youth Journalism Fellowship is your chance to step into the world of professional theatre journalism and make your voice heard.

In partnership with Stage Raw, The Unusual Suspects Theatre Company offers a paid, four-month fellowship for writers ages 15–25 who are ready to explore theatre through critique, conversation, and cultural analysis.

As a Youth Journalism Fellow, you will:

  • Collaborate with professional Stage Raw journalists as your mentors
  • Write and publish theatre reviews, essays, and interviews
  • Get paid for every article published on Stage Raw
  • Build your critical voice and editorial skills
  • Be considered for publication in DEVISE Magazine
  • Join a small, selective cohort of emerging writers

Applications open each summer for our fall/winter fellowship cohort. Follow us on social media or join our newsletter to stay in the loop when applications drop.

2025 COHORT

is a theatre student at LACHSA who loves doing it all—acting, writing, and directing. She’s spent 13 years on stage and screen, won Dramafest 2024 and was published for her play The Pretty Test, earned an LA Poet Laureate Honorable Mention, and completed LMU’s Screenwriting Summer Program. She co-runs Brunette Productions where she directs, produces and writes plays.

2025 Fellowship Publications:

Mar Mar Hernandez (she/her) is an aspiring dramatic writer/director from Pico Rivera, CA. She is currently studying acting at the Los Angeles County High School for the Arts. Her talents outside the writers’ room include stage management, filmmaking, and directing for the stage in student-led productions. She was previously a Newsroom Writer for TeenTix’s first LA branch and attended the California State Summer School for the Arts (CSSSA) for Creative Writing. Mar Mar wishes to write and produce uplifting narratives centered around the experiences of others to provide a safe space for communities desperately in need.

2025 Fellowship Publications:

Maribelle Hoffa is an emerging actor and writer based in Los Angeles. She is a junior at LACHSA (Los Angeles County High School for the Arts) in the theater department, with a recent emphasis on dramatic writing and directing. When she isn’t doing either of those two things, she is probably reading plays, playing guitar, or watching Dance Moms.

2025 Fellowship Publications:

Hello! My name is Fable Isaacson and I am currently a junior at LACHSA in the Theatre Department. I love all things stage related and am so grateful for this awesome opportunity!

2025 Fellowship Publications:

Katy Kragel just graduated from the University of Southern California’s acting school! While there, she had the privilege of attending the British American Drama Academy in London which highlighted her love for classical theatre – particularly Shakespeare. Acting has always been the love of her life since she did her first musical at five years old, but she discovered a new love at USC while working in the recruiting department for the football team. Whether sports or theatre, you can always find Katy analyzing and deep-diving into live entertainment!

2025 Fellowship Publications:

Keelyn McDermott (she/her) is a Los Angeles-based writer, performer, and director with a passion for contemporary theatre and socially engaged storytelling. A graduate of Occidental College, she has written and staged original plays that blend comedy with critique, most recently at the Mixtape Festival and Occidental New Works Festival. Keelyn is excited to sharpen her critical voice through the Stage Raw/Unusual Suspects Fellowship and explore how writing can amplify underrepresented perspectives in the arts. She currently freelances across mediums and is developing a new theatrical satire.

2025 Fellowship Publications:

Warren D. Riley (he/him) is a writer and a fourth-year student at UCLA, pursuing a BA in English. Riley has a keen interest in seeking truth – whether it be through his work at the Daily Bruin, or in his rigorous practice at UCLA’s Playwright Circle. His playwriting pursuits most often concern grounded, humanizing portrayals of the trans experience. His latest play, Urgent Care, is currently being developed with a group of UCLA collaborators. Riley’s coverage of theatrical productions have appeared in ad campaigns for prominent Los Angeles theaters such as the Latino Theater Company and the Geffen Playhouse.

2025 Fellowship Publications:

Avery Eletto

The Stresses of Aging: Taylor Swift, Alretha Thomas, and The Art of Staying True to Oneself

A Path Forward (As Suggested by a Theater Teacher at Los Angeles County High School for the Arts)

Adolescent Salvation Review

Maribelle Hoffa

Reflections on a Beloved Teacher’s Retirement: Reflections on a Beloved Teacher’s Retirement Lois Hunter, On her Quarter Century at the Los Angeles County High School for the Arts

Unsaid Words and Unsung Heroes, A Teen Responds to a Play about a School Shooting

Adolescent Salvation Review

Fable Isaacson

On Pushy Men and Girls Not Wanting It: Lily Allen’s hit album “West End Girl” and Alexandre Dumas’s 19th Century Comedy “The Great Lover

Who’s Afraid of Rebecca Woolf?: To Thine Own Self . . . (Notes From a Proud Daughter)

Adolescent Salvation Review

Katy Kragel

Two Peoples Separated by a Common Language: An American studies acting in London

Returning to the High School Where She Once Competed in Speech and Debate, A Young Woman Searches for Agency

Brothers and Sisters Alretha Franklin’s A Girl’s Guilt Trip and Rudi Goblen’s Littleboy / Littleman

King James Review

Mar Mar Hernandez

Eureka Day Review

Keelyn McDermott

If School Shootings Can’t Change Hearts and Minds, Maybe Theater Can: Reflections on Manuel Oliver’s “GUAC” 

Trying to Move the Arts at Moving Arts: Darin Anthony and Brandon Bales on Live Theater and the Movie Biz

Warren D. Riley

Making the Code Digital Backdrops in Theater, and How to Create Them

Amerika or, The Man Who Disappeared

Tune In, Turn On, Don’t Drop Out! The Art of Political Engagement in What the Constitution Means to Me and GUAC”

Eureka Day Review

Sophia Audelo

The Art of Feeling Deeply: A Teenager on Why Theater Doesn’t Move Her

Chavez Ravine: An L.A. Ghost Story

Matthew Beymer 

Bridge Over Troubled Water: Crossing the Divide Between Musical Theater and Non-Musical Plays

Green Day’s American Idiot

The Fine Art of Intimacy on Stage

Past, Present, and, Uh Oh: Reflections on “Robbin, from the Hood”

Nola Bowie

A 16-Year-Old Girl from a Stable Family Reflects on a Musical About Divorce

A Young Generation Bored by the Bard?: A Case for Arts Immersion at a Young age

If Music Be the Food of Love: An interview with Dana Martin

Nora Review

Asa Fris 

Crevasse

Reflection on “Pacific Overtures” and “Fiddler on the Roof”

Why Theater?: A Young Man Weighs the Promise of Live Performance, and the need for connection

Jack Grotenstein

After the Fall: One Local Stage Union Actor, Bill Salyers, Says “Enough!”

Can Live Theater Push Back Against a Digital Age?

King Hedley II

Yazlin Juarez

The Higher Purposes of the 2024 Encuentro Festival

Lucinda Linklater 

Crevasse

Metamorphosis: The Child of Theater Parents Finds Her Path

My Mom, The Playwright

Storied Traditions: A 17-Year-Old’s Epiphany about Walt Disney’s Influence

Ysa Madrigal 

A 17-Year-Old’s Foray into Theater and Journalism

A Non-Binary Teen Sees a “Trans Conversation” with Their Dad

How to Be Creative When Your Job Isn’t: Makeup Artist Cellibacello

Missions, Lose Religion: Find God (And Give the Land Back While You’re At It)

Molly McLean 

“Duende”: A Case for Actual Theater in a Movie Town

A New Critic Yearns for the Old School: A Case Against Interactive Theater

Heading into Night: A clown show about . . . [forgetting]

The Travails and Triumphs of a Physical Comedy Performer (Courtney Pauroso)

Ella Rodríguez

Happy Days

From Alex to Guillermo: The Evolution of Stage Director Guillermo Cienfuegos

Thatiana Smith

The Arc of Justice: Reflections on Alice Childress’s Play About Race, and the Theater

In Our Age Of Cruelty 

The Teacher Who Turned a Teenager’s Life Upside Down

Trouble in Mind

Isadora Swann 

Heading into Night: A clown show about . . . [forgetting]

Perched Atop Boutiques and Bakeries Alike: A 22-Year-Old Comes to Discover and Appreciate L.A’s Smaller Theaters

Property, Poverty, and “I, Daniel Blake”

The World According to Kaye Voyce

Ursula Youd

A Going Away Party Play

Arms and the Man (Dan Froot)

Fame and Misfortune: Shem Bitterman’s “The Civil Twilight”

From Being Docile to Having Authority: A Soft Spoken Girl Finds Her Voice