YOUTH JOURNALISM FELLOWSHIP

ARE YOU A YOUNG WRITER READY TO CHALLENGE THE NARRATIVE? 

The Youth Journalism Fellowship is your chance to step into the world of professional theatre journalism and make your voice heard.

In partnership with Stage Raw, The Unusual Suspects Theatre Company offers a paid, four-month fellowship for writers ages 15–25 who are ready to explore theatre through critique, conversation, and cultural analysis.

As a Youth Journalism Fellow, you will:

  • Collaborate with professional Stage Raw journalists as your mentors
  • Write and publish theatre reviews, essays, and interviews
  • Get paid for every article published on Stage Raw
  • Build your critical voice and editorial skills
  • Be considered for publication in DEVISE Magazine
  • Join a small, selective cohort of emerging writers

Applications for our Fall/Winter 2026 fellowship are CLOSED. Applications for the 2027 cohort will open in May 2027.

2026 COHORT

Maya Alfaro (she/her) is a writer, actor, and filmmaker from Los Angeles. She’s a rising senior at LACHSA, where she studies theater and film, and is happiest when she gets to turn an idea into a story somehow—on a stage, on a page, or behind a camera. Outside of school, she runs her own zine, writes whenever she can, plays guitar, and tries to watch every movie under the sun!

Blaine Berhane (she/her) is an emerging writer and theater lover based in Los Angeles. She recently graduated from USC’s Narrative Medicine program where she explored how storytelling, especially in theater, is used to explore identity, healing, and the systems that shape everyday life. She is excited by stories that invite reflection, build community, and make space for new perspectives. She is looking forward to engaging with Los Angeles’s vibrant theater community through the Youth Journalism fellowship!

Liberty Chao (she/her) is an artist based in the San Gabriel Valley. Specifically, she is: an actress in her senior year at LACHSA, a budding photographer, a DIY gel nail enthusiast, and an amateur sketch comedy writer. She is currently drafting her first play, a cautionary tale centering the Asian American experience (of lactose intolerance). Liberty is new to journalistic writing, but she has been a proud ‘theatre kid’ since age 5, and is so grateful for this chance to dive deeper into LA’s vibrant theatre scene.

Caitlin Durkin is an actress, improv comedian, and teaching artist based in Los Angeles. She is a company member at Will Geer’s Theatricum Botanicum, trains at The Groundlings School, and co-hosts the improv comedy podcast My Closest Friend. She also works with kiddos of all ages. Caitlin graduated from Princeton University in 2025 with a B.A. in Sociology with minors in Theater and Gender & Sexuality Studies. She is deeply passionate about live theater, especially the unique relationship between performers and audiences.

Abigail Eulloqui has always had a deep love for theater and journalism. She has been a part of her middle and high school theater department for the past five years, and has found a deep appreciation and sense of belonging in it. She adores all things theater-related, having worked both onstage and backstage for several productions. Writing has also always been a lifelong passion for her, allowing her to share her voice with the world around her, and she hopes to pursue journalism in the future. She is absolutely honored for this amazing opportunity!

Kayden J. Merritt (They/She) is a transgender director, playwright, producer, and dramaturg whose work spans live performance, music, and visual art. They currently attend CalArts, where some of their directing credits include Tracy Letts’s Bug, Caryl Churchill’s A Number, and Jean-Paul Sartre’s No Exit. Kayden has developed their artistry at NY Philharmonic Young Composers, NYYS, TRW, Mabou Mines, Broadway for All, and NYTW. Kayden is passionate about theater’s role as a disruptive force against societal power structures and is beyond excited to hone their critical voice with Stage Raw/Unusual Suspects.

Zoe O’Brien is a senior in high school who loves everything to do with theater. She is passionate about creating her own work and encouraging the emergence of new voices. Zoe discovered her love for playwriting after attending the Iowa Young Writers Studio where she wrote her own play exploring the intersection between mental health and friendship. Following the closure of her program, she had the opportunity to direct, act in, and produce her play. Zoe believes theater has the ability to generate meaningful conversations and hopes to inspire others to tell the stories they want to see on stage.

Elle Sinio (she/her) is a Los Angeles based writer, stage manager and performer with a deep passion for journalism. As a Senior at Van Nuys High school, she works as the Editor in Chief for her school’s award winning newspaper, “The Mirror.” While she isn’t busy writing articles, she is the Production Stage Manager for A Prima Vista Pros (based in Hollywood). She can’t wait to get started and meet all of her fellow writers!

Skylar Vulcan (she/her) is a Los Angeles-based playwright, librettist, director, and lighting designer currently finishing her M.A. at CSULB. Her research and work come together in her focus on exploration of performance, expression, and ritual through theater. Skylar’s passion has taken her from a lighting designer at Rubicon Theater Company, to international conferences on theater, to working on upcoming productions of Pygmalion and her new musical Too Much. In the meantime, she’s founded Marble Magazine as a project to encompass academia, fashion magazines, and performance reviews, to examine truth, love, beauty, and the makeup of identity.

Tej Wong (she/her) is a second year student at the UCLA School of Theater, Film and Television studying Musical Theater with a minor in Asian American Studies. A lifelong performer, she is
passionate about storytelling through theater, where movement, music, and dialogue come together to illuminate the human experience. As a biracial artist, she believes in the power of performance to challenge conventions, broaden perspectives, and foster empathy. She is excited to explore storytelling through journalism, examining why certain stories resonate so deeply.

Avery Eletto

The Stresses of Aging: Taylor Swift, Alretha Thomas, and The Art of Staying True to Oneself

Confessions of an Emotional Teen Studying the Arts

A Path Forward (As Suggested by a Theater Teacher at Los Angeles County High School for the Arts)

Adolescent Salvation Review

Maribelle Hoffa

The “Gentle Herding” of a Theater Enthusiast: Car Rides with Dad

Reflections on a Beloved Teacher’s Retirement: Reflections on a Beloved Teacher’s Retirement Lois Hunter, On her Quarter Century at the Los Angeles County High School for the Arts

Unsaid Words and Unsung Heroes, A Teen Responds to a Play about a School Shooting

Adolescent Salvation Review

Fable Isaacson

On Pushy Men and Girls Not Wanting It: Lily Allen’s hit album “West End Girl” and Alexandre Dumas’s 19th Century Comedy “The Great Lover

Who’s Afraid of Rebecca Woolf?: To Thine Own Self . . . (Notes From a Proud Daughter)

Adolescent Salvation Review

Katy Kragel

Two Peoples Separated by a Common Language: An American studies acting in London

Returning to the High School Where She Once Competed in Speech and Debate, A Young Woman Searches for Agency

Brothers and Sisters Alretha Franklin’s A Girl’s Guilt Trip and Rudi Goblen’s Littleboy / Littleman

King James Review

Mar Mar Hernandez

Whose Business is the Constitution?: A Teenager Reflects on Heidi Shreck’s Play about a Teenager Reflecting on the U.S. Constitution

Inspiring Those Once Left Behind: High School Theater Teacher Eddie Ruiz

Eureka Day Review

Keelyn McDermott

If School Shootings Can’t Change Hearts and Minds, Maybe Theater Can: Reflections on Manuel Oliver’s “GUAC” 

Cycles of Salvation: A Child Saved by an Arts Teacher is Now an Arts Teacher

Trying to Move the Arts at Moving Arts: Darin Anthony and Brandon Bales on Live Theater and the Movie Biz

Adolescent Salvation Review

Warren D. Riley

Losing the Trans Tropes and Reaching for Love

Making the Code Digital Backdrops in Theater, and How to Create Them

Amerika or, The Man Who Disappeared

Tune In, Turn On, Don’t Drop Out! The Art of Political Engagement in What the Constitution Means to Me and GUAC”

Eureka Day Review

Sophia Audelo

The Art of Feeling Deeply: A Teenager on Why Theater Doesn’t Move Her

Chavez Ravine: An L.A. Ghost Story

Matthew Beymer 

Bridge Over Troubled Water: Crossing the Divide Between Musical Theater and Non-Musical Plays

Green Day’s American Idiot

The Fine Art of Intimacy on Stage

Past, Present, and, Uh Oh: Reflections on “Robbin, from the Hood”

Nola Bowie

A 16-Year-Old Girl from a Stable Family Reflects on a Musical About Divorce

A Young Generation Bored by the Bard?: A Case for Arts Immersion at a Young age

If Music Be the Food of Love: An interview with Dana Martin

Nora Review

Asa Fris 

Crevasse

Reflection on “Pacific Overtures” and “Fiddler on the Roof”

Why Theater?: A Young Man Weighs the Promise of Live Performance, and the need for connection

Jack Grotenstein

After the Fall: One Local Stage Union Actor, Bill Salyers, Says “Enough!”

Can Live Theater Push Back Against a Digital Age?

King Hedley II

Yazlin Juarez

The Higher Purposes of the 2024 Encuentro Festival

Lucinda Linklater 

Crevasse

Metamorphosis: The Child of Theater Parents Finds Her Path

My Mom, The Playwright

Storied Traditions: A 17-Year-Old’s Epiphany about Walt Disney’s Influence

Ysa Madrigal 

A 17-Year-Old’s Foray into Theater and Journalism

A Non-Binary Teen Sees a “Trans Conversation” with Their Dad

How to Be Creative When Your Job Isn’t: Makeup Artist Cellibacello

Missions, Lose Religion: Find God (And Give the Land Back While You’re At It)

Molly McLean 

“Duende”: A Case for Actual Theater in a Movie Town

A New Critic Yearns for the Old School: A Case Against Interactive Theater

Heading into Night: A clown show about . . . [forgetting]

The Travails and Triumphs of a Physical Comedy Performer (Courtney Pauroso)

Ella Rodríguez

Happy Days

From Alex to Guillermo: The Evolution of Stage Director Guillermo Cienfuegos

Thatiana Smith

The Arc of Justice: Reflections on Alice Childress’s Play About Race, and the Theater

In Our Age Of Cruelty 

The Teacher Who Turned a Teenager’s Life Upside Down

Trouble in Mind

Isadora Swann 

Heading into Night: A clown show about . . . [forgetting]

Perched Atop Boutiques and Bakeries Alike: A 22-Year-Old Comes to Discover and Appreciate L.A’s Smaller Theaters

Property, Poverty, and “I, Daniel Blake”

The World According to Kaye Voyce

Ursula Youd

A Going Away Party Play

Arms and the Man (Dan Froot)

Fame and Misfortune: Shem Bitterman’s “The Civil Twilight”

From Being Docile to Having Authority: A Soft Spoken Girl Finds Her Voice